Friday, September 16, 2016

Gallery 47 Rylstone - Leo Cremonese





































Since moving to Kandos in June this year I have been fortunate to see some amazing diverse work by mid western artist’s and it’s quite exhilarating.  So in continuing my trek through the region there is this amazing show by Leo Cremonese, a COFA graduate and a student of Charlie Sheard.  We saw Leo’s work previously in Terry Burrows ‘In Bed Together’ at Kandos Projects appearing with his lovely wife Libby Varcoe.   Although there was only one painting in that show that more so reflects the same energy as his current show it’s plain to see it’s vibrant and passionate and I’ve been a bit spoilt as I am currently working in the cafĂ© ‘Coffee Concrete’ which shares the gallery space so I get to spend a bit of time with the exhibition.

My favourite piece is ‘From Death Springs Life’ oil on linen, sadly my camera didn’t do it justice but the colours really pop in this one, particularly the bright teal blue almost electric.  Maybe I noticed that colour more as my sweater on the day was matching in hue.
Eye popping colour palette like something you would see traveling through space on a Starship..  I’m seeing mostly space infractions in this show, I can so imagine space to be like these paintings!..

Second favourite is ‘Untitled’ oil on linen, 76x66cm it has the blood red chunky eye of a supernova star confronting it’s not so future self and imploding to form a black hole, but showing a glimpse of it’s former self in the bright yellow glory of futures end.

And reluctant third is ‘Untitled’ oil on linen, 122x90cm, reveals that luscious dark green which is present in some of the other works pushing darker base colours to come alive and I would like to hope, in creating new planets and or star systems.

Fleur MacDonald

3rd September – 30th September 2016
www.facebook.com/Gallery47rylstone

Wednesday, September 14, 2016

Gallery 47 Rylstone - Gus Armstrong































Gus’s subject for this series of photographs is a wild and wonderful creative spirit in Peter Brooks.

It’s what one man can produce out of accumulated stuff and turn it into art, changing one’s whole perspective of art from stuff and making into his life surroundings.

Gus has captured Peter Brooks at his best, recreating his character into this amazing series of photographs, challenging us to view his persona and himself as his life work.

Fleur MacDonald

14th August – 29th August 2016
Gallery 47 Rylstone 47 Louee Street, Rylstone
www.facebook.com/Gallery47rylstone/

Tuesday, September 13, 2016

Kandos Projects - In Bed Together






































The gallery was packed to the rafters on the night of the opening, a brilliant turn out for such a sweet little town.  Coming back from a trip to Sydney one night I glanced at the shop front of Kandos Projects and then glanced again as something caught my eye, the door sized work of Mr and Mrs Brown, ‘Zygosis Hyperacumulator: Phase 1-4, mixed media installation was glowing in the dark, so so cool!!

‘Adventures Unknown’ chalk & graphite on paper, dimensions variable by Libby Varcoe & Leo Cremonese, I found this work strikingly gorgeous, it attached itself to the softest part of my heart and I fell head over heels in love with it.  I’m a big softy and gush for realist work but don’t get me wrong it’s not the only one I gushed for in this show.  Intimate snapshots of a beautiful landscape captured perfectly in graphite and chalk, with hints of blue sneaking into the cloudscapes creating moments of rapture.  Takes up a big chunk of wallspace but needs it as they are intersperced with fragments in word to help the viewer see through the Artist’s eye.

Absolutely loved ‘Drawing Through the Picture Plane’ A, B, C & D, ink & chalk on cotton rag by Georgina Pollard & Alex Wisser where they spent the day in the Clandulla National Park and created these 4 fabulous musings of the natural environment.   I found myself transported to a place of natural quiet.

Ok, so the work ‘Untitled’ by Kat Brown, acrylic and aerosol on board was suppose to hang horizontal but you didn’t hear that from me, although I kinda like it vertical as it has a more ergonomic floral approach to it, an alien flower floating against a colourful mist.  The choice of colours help it to pop right off the canvas leaving a lasting impression in the viewers subconsious.. Which works beautifully with ‘Dancing In the Wild’ scraperboard by Na Lan, a delicate piece of creative wonder.  Next to it was a joint effort by Na Lan’s partner Reginald Buckland, ‘Cradle’ mixed media.  Another work of wonderment breaming with life as we know it!

‘He is and we are
It’s not the whole story but then it is.
Each word within it must fight its way
and once out it may not sound the same.
Formed soft or hard depending on its destination.
There is a moment when we are all joined.
We can begin or end to begin again.

 It’s a race.’

 I love this, this moment of clarity, the words from the work ‘Work Follows Form, Form Follows Work’ acrylic on canvas by Virginia Handmer & Geoffrey Payne.  It follows through to the beginning to the end, offering a chosen silence and putting up a wall to procastination.   I guess ‘Ven. Choden’ was the perfect choice to hang next to Virginia and Geoffrey’s work as it follows through to the affect of being one with the work.   It’s a wonderful painting of a young monk, his serene face offering calm and serenity to all.

Love Damian Castaldi and his enthusiaism for movement, he and Solange Kershaw make a great team.

And last but not least the wonderous shimmering beauty hanging in the window ‘Lightly’ acrylic glitter on pvc by Georgina Pollard tempting you to look upon it’s loveliness while it shimmers in the moonlight!

But before I head off there is also a mention to Terry Burrows who put this show together and if you are ever to find yourself in Rylstone while Gallery 47 is open then pop in and check out his Back Book, pretty damn awesome!

Fleur MacDonald

5th August - 28th August 2016
Kandos Projects, 18 Angus Avenue, Kandos, 2848